Rosalind krauss photographys discursive spaces
Photography in the museum or in the gallery: reflections on ‘photography’s discursive spaces: landscape/ view’ by rosalind krauss rosalind krauss. Rosalind e krauss jump to navigation jump to search a postmodernist repetition and photography's discursive spaces for krauss, and for the school of critics . Parc de sceaux (1925), eugene atget (1857 - 1927) having felt some discomfort with rosalind krauss' (1982) essay photography's discursive spaces which i was perhaps a little reluctant to express in my previous post, i felt compelled to read tod papageorge's counter arguments in a talk which he gave to graduate students at yale in 2009. Rosalind krauss dates: 1941- nationality: american rosalind krauss is an american art critic, professor, and theorist who is based at columbia university like many, krauss had been drawn to the criticism of clement greenberg, as a counterweight to the highly subjective, poetic approach of harold rosenberg.
Photography's discursive spaces: landscape/view rosalind krauss rosalind krauss is professor of art history at hunter college, cuny, and an editor of october. The originality of the avant-garde and other modernist myths rosalind e krauss the mit press cambridge, massachusetts photography's discursive spaces 131. This exercise was to read a publication by american art critic and theorist rosalind krauss (1941) 'photography's discursive spaces: landscape/view (1982) to summarise key points in note form and add comments or reflections. Most of us have a sense of and curiosity about the places and spaces around us think, for example, of the place you call home you are probably familiar enough with its streets and buildings and landscapes and with the people who inhabit these spaces, to make connections among them-you know how to “read” the place.
From the outset, rosalind krauss' title of her paper, 'photography's discursive spaces', intimates that there are opposing mindsets about the purpose of photography as a medium. In the exhibition space were laid out in three seminal essays: rosalind krauss’s photography’s discursive spaces , 2 christopher phillips’s the judg- ment seat ofphotography 3 (both published in 1982), and benjamin hd. Rosalind krauss - photographys discursive spaces 9350 words | 38 pages photography's discursive spaces: landscape/view rosalind krauss art journal, vol 42, no 4, the crisis in the discipline. This essay primarily explores the differences in how photographs may be used & displayed krauss uses the photograph “tufa domes” by timothy o’sullivan to illustrate her points.
Rosalind e krauss a postmodernist repetition and photography's discursive spaces for krauss and for the school of critics who developed under her influence . Rosalind krauss, for example, has employed photography's ontological tie to reality as the basis for her theory of the index (borrowed from the semiotic category of . Photography 's discursive spaces: landscape/view by rosalind krauss et us start with two images, identically titled tufa domes, pyramid lake, nevada the first (fig 1) is a (recently). Rosalind epstein krauss (born november 30, 1941) is an american art critic , art theorist and a professor at columbia university in new york city krauss is known for her scholarship in 20th-century painting , sculpture and photography . Part 1 exercise 12 photography in the museum or in the gallery - reflections on ‘photography’s discursive spaces: landscape/ view’ by rosalind krauss we are asked to read and review the essay which was available online at.
Rosalind krauss discusses two images in photography’s discursive spacesthe images are both of the tufa domes, at pyramid lake, nevada, but are slightly different representations. In this very thorough writing by rosalind krauss about ‘photography’s discursive spaces: landscape/view’ she talks about photography’s ‘place’ in art and in exhibition. In her book-length essay, a voyage on the north sea, reflecting on the question of medium in discourses of contemporary art, the art historian and critic rosalind krauss hypothesises or, to be more. Tag archives: rosalind krauss 1 thinking about landscape, coursework, part 1 - beauty and the sublime they can be seen in the discursive space of art.
Rosalind krauss photographys discursive spaces
Rosalind e krauss's wiki: rosalind epstein krauss (born november 30, 1941) is an american art critic, art theorist and a professor at columbia university in new york city. Discursive essay sean killoran the death penalty, used from 1707 and fully abolished in 1969, was said to have cut crimes by two thirds it is a controversial topic ever since it was created it is a controversial topic ever since it was created. Part 1 exercise 12 photography in the museum or in the gallery – reflections on ‘photography’s discursive spaces: landscape/ view’ by rosalind krauss leave a reply we are asked to read and review the essay which was available online at. Rosalind krauss in her essay ‘photography’s discursive spaces: landscape/view’ (1982), have been critical about the retrospective placing of atget’s work (and that of other nineteenth-century photographers) within the context of the contemporary art gallery one reason for this is that atget didn’t demonstrate artistic judgement by discerning the strongest works from his vast .
- Rosalind krauss, “photography’s discursive spaces,” the originality of the avant-garde and other modernist myths (cambridge, mass: mit press, 1984), 131-50 rosalind krauss, bachelors (cambridge, ma: mit press, 1999).
- 12 rosalind krauss and timothy o’sullivan: photography’s discursive spaces posted on january 20, 2017 by stevemiddlehurst in 1982 roslind krauss, art critic and art history teacher, wrote photography’s discursive spaces: landscape / view (1) an essay that challenged whether the survey photographs of timothy o’sullivan (i) should be .
Krauss would formulate this formalist commitment in strong terms, against attempts to account for powerful artworks in terms of residual ideas about an artist's individual genius, for instance in the essays the originality of the avant-garde: a postmodernist repetition and photography's discursive spaces.  in 'photography's discursive spaces,' rosalind krauss demonstrates how a photograph's significance and connotation varied according to the discursive spaces in which it and its viewers operated survey photographs did not occupy the same discursive space as pictorial photography or painting. In this essay, the author discusses whether the documentary or cataloguing intention with which most of the landscape photography was taken during the nineteenth century justifies the consideration of these works within the aesthetic discourse of art.